I have posted about Can Lis before, but when i saw on one of my favourite blogs, somewhere i would like to live, these wonderful pictures, i had to post again. this is my kind of architecture to a tee. in all it is a traditional building of the area made our of the local stone, with just enough architectural details and a wonderful use of space, that doesn’t make the building stand out, yet fit into its surroundings and become a wonderful family home, and place to live. and who could pic a better position. Andrew
house available for rental on Airbnb
i love finding beautiful, well-designed houses to post here, and always there is a wish “i would love to live there” especially for me when they are situated in rural areas. so when i saw a picture of this house and started searching for it, up came its page on Airbnb. so now there is a chance to at least stay in one of the creations we see in the magazines. this “log” cabin in the wild countryside near Sergovia, Spain was designed by Josemaria de Churtichaga and Cayetana de la Quadra-Salcedo with splashes of yellow, as a simple country retreat for themselves and their family.
Celebrating the 400th anniversary of Japan-Spain Interexchange, Junya Watanabe designed a special collection in collaboration with Loewe. We designed the exhibition space for the show at Spanish Embassy in Japan. Temporary walls are inserted, forming various angles in the gallery space of the Embassy. And photographic images of the Royal Palace of Spain are collaged onto them. We attempt to distort conventional perception of space by intentionally disaligning internal and external corners of the interior spaces in the photographs and the actual walls, and also by using wrong scales deliberately.
russian photographers and daredevils vadim mahora and vitaly raskalovym travel europe with a clear purpose — to illegally climb to the highest point of the city’s main attraction, hang off its edge, and capture their extraordinary viewpoint. their latest adventure had them scaling skyscrapers, construction cranes, and cathedral steeples, exposing some of the most magnificent and outrageous perspectives of architecture and urban sites. their non-conventional form of tourism brought them to 12 cities, soaring to the top of renowned monuments like antoni gaudi’s masterpiece, the sagrada família in barcelona, the iconic eiffel tower in paris, and the gothic spires of the cologne cathedral in germany.
when using new technologies and materials to preserve, extend, or otherwise replace existing architecture one is always faced with the question of how invasive the intervention will be. it is of particular interest because there are so many factors apart from the architect’s own language that need to be considered: the state of the decrepit structure, the types of contemporary materials used, and the ideas the architect wishes to express with the melding of the two worlds. spanish architect ferran vizoso recently completed the restoration of the town church in corbera d’ebre near tarragona, spain, whose roof structure was entirely non-existent. as an icon of the town and a relic from the spanish civil war, the vizoso aimed to restore the masonry structure to return it to its community, and at the same time preserve its new-found character: an open plan where the sun’s rays flood the previously interior space, birds fly across the nave and vegetation subtly creeps in through the windows and over the walls. the solution was found in the use of ETFE panels that create a new roof structure and seal the interior, protecting it from further deterioration while preserving the feeling of being outdoors even when inside the church. known for their impressive durability, thermal efficiency and light properties, ETFE panels create a protective transparent film over the entire ruin. although they are not structurally capable of supporting loads and can be torn if left within a person’s reach, their low maintenance, weatherproof membrane and sustainable construction make them ideal for roof structures where they will not come into contact with hazardous objects. the church now contains an inhabitable micro-climate suitable for use by the community and retains the delicate look and feel of a treasured ruin, history frozen in time. . Read More
photos and text via dezeen
Landscape architects EMF teamed up with architecture firm Ardèvol to remove over 400 buildings from a former holiday village in eastern Spain and transform the landscape into a series of meandering pathways and coastal viewpoints. The Tudela-Culip (Club Med) resort at Cap de Creus in Cadaqués had been a holiday destination for 900 tourists every summer, but in 1998 the coastal site was given protected status as a Natural Park and the resort was forced to close its doors five years later. Working alongside over 50 specialist consultants, EMF and Ardèvol were able to deconstruct most of the buildings of the Tudela-Culip and restore the natural landscape amidst a series of architectural interventions. The most prominent addition to the site is the Cubes Viewpoint, a pair of Corten steel structures facing out to sea, while slabs of stone and more Corten steel were used to create seating areas and landmarks elsewhere around the park. Pathways are divided into a three-tier hierarchy. The main access road is laid in asphalt, secondary pathways are formed from concrete, and informal routes are defined by ankle-height metal railings. Small Corten panels scattered around the site feature cutaways that highlight how some of the natural rock formations resemble animals. The five-year-long project was completed in 2010, but recently received the Rosa Barba European Landscape Prize at the 7 European Biennial of Landscape Architecture.Read More